There is a white cast, like a scar on the leg. And the golden mirror, the golden ark, and the golden vessels. Let's say it is a heavenly place. Suddenly a woman comes, Dhaka's follower and Dhaka's chaubandi. Must be a Nepali woman.

Isn't it you, he, I or we? Well, she is brought in and put to bed. Golden objects are now placed in his hands. As she holds the golden chests, the golden ceiling and walls seem to swallow her. She is now packed as if in a gift box.

 However, the reality is different. She was especially packed inside that gift box. But, fortunately, after a lot of struggle, she gets out of that bond. He no longer has any fascination for the golden things that he had just handed over. And, as soon as the fascination is broken, she is liberated.

She now becomes independent, independent. No longer imprisoned within the walls, she plays with the wind blowing from across the horizon, the ceiling no longer oppresses her, she walks casually barefoot under the open sky. 

These are the scenes of Ashmina Ranjith's performance art in Taragaon Next, a Buddhist area in Kathmandu. The art of ten artists from South Asia can be seen there in various mediums. Although the medium is different, the message is the same – women revolt for change. Taragaon Cultural Center organized a large art exhibition in collaboration with Saraf Foundation. The exhibition, which started on Saturday, will continue for two days. In one of the halls of the

gallery is a hoop almost as big as you. There are other smaller hoops attached to that hoop. It seems that those hoopsios are not really hoopsios but mothers, daughters. Sisters are sisters. This installation art by Taiba Begum Lipi makes the viewer think.