We, who have grown up watching Bollywood in our neighborhood, think that a film that needs a little bit of fight, emotional mix, entertainment, and whatever elements are mixed together is commercial, but I think that the film is simple and everyone can understand it.
I was enjoying the play. However, there was no money in the play. This is known to all. He used to earn a little money doing radio plays. After seeing the Vijay brothers in 'Kabaddi', even when they came to watch the play, the audience flocked to see them.
Seeing Daya dai, Vijay dai and Buddhi dai on the screen and coming to the stage, I was thinking that I should make a film.
Everyone has a desire to be known by many people. That longing grew in me too. After that, I started to think that many people would recognize me if I was seen on screen. Before that, the plan was that I would do drama, study theater from abroad and become a theater autist.
As scarcity shows the way, so did the year 2014. The offer of 'Puente Parade' came. Two weeks of shooting. Hero's friend roll. And the money came. That money was the first big income of my life. I consulted Daya Dai. He advised to work for new experience. Then I did that film. Seeing the work, the same team signed a contract for another film called 'Jange' during the shooting. Before that I also did 'Hostel Returns'. That film came ahead of 'Jange' in terms of shooting and release. Hostel Returns paved a path to a film career.
I used to watch interviews in my spare time. I used to listen to one or two senior Hollywood and Bollywood actors. Listening to the actors who came from the theater and spoke from a theoretical perspective gave me an idea of how to choose a character. I felt that I should act in such a way that everyone knows me on the screen but I don't know anyone on the road.
My film journey is a separate story. I am a 'dark skin' boy from Terai. That is why I have sometimes been removed from the roles I have got in films. At that time, no matter what happened, the theater was going to be successful. He felt that film is an exercise in action, better than glamour. That's why I didn't do many films.
Then I did the 'knot'. I played the role of Man Bahadur Vishwakarma in Veer Vikram. Then it occurred to me that it can be presented in this way as well. With time, my thinking and choice of character became refined. Physical and mental changes also took place. While becoming an actor, I also started paying attention to physical fitness. make a life Then filmmakers started looking at it commercially. Some directors responded very well.
Then I did 'Rajarani' and 'Paper Letter'. Then came 'Veer Vikram 2'. Meanwhile, 'Agastya' came. Now there is a 'missing girl notice'.
has been involved in this field for 10 years. We sit in the tea shop and talk about content being the base and not thinking too much about business. But we are afraid to practice. We fear that others will not watch the film. We all want money to come and make it. We haven't been able to practice making a film with a big banner, great actors, and a great director in the same way that it is discussed among friends. It would be nice to do that. We are all growing up. If the film also embraces the practice of not being of the same type, it will further help in the character building of the artist. We must be willing to take risks to move beyond the dimension of acting. It would have been better to be more professional and work on time.
'Gulabi' is not released now. But now I practiced in the 'Gunyo Chulo'. I think it can be done better if there are more roles. It would have been more fun if the director eliminated a similar character and the scriptwriter gave you a role that challenged you rather than a role that suited you. There is a dearth of good writers and writing in the
film industry. The more writers, the more ideas. It adds variety. And the acting actor also gets energy to choose the film. The problem of 'stereotype' can be removed if writers from different societies and experiences get the opportunity. The better the writing, the more open the artist gets to work. But to absorb this change, there must be the ability to take risks.
film is an art. You go to the hills and capture the love story in a colorful way. It looks even more beautiful when it is reeled in and shown on a white screen, which looks like a commercial painting. Sometimes songs and movie scenes are very beautiful. It looks artistic when using 'metaphor' even to say common things in the film. We, who have grown up watching Bollywood in our neighborhood, think that films made with a little fight, emotional mix, whatever elements are needed for entertainment are only commercial. I think that the film is simple and everyone can understand it.
commercial films are made for the audience. Therefore, it should be easy to understand by the audience of any level. Some film directors make it to show their artistic thinking. That is a separate topic and genre.
It is not right to fight about which film is artistic and which is commercial. Because film is all art. Making a film by playing with images alone is not artistic. It is very easy to understand our society. If a film is made keeping that group in mind, it will be successful. Talking about
dramas, I have found that the adoption is decreasing now. I myself have been lost for many years. I myself may have felt it as I was away from the stage. But the energy we used to get when we were on stage is gone. Watching the drama surrounding the
seems like it is becoming cinematic. Drama should be different from film. Because its existence is different. One line in a play should be able to tell a life. For me, film is a novel and theater is poetry. Even if there is no set in the
drama, you should be able to make people feel like they are through live acting. There are many technical parts in the play. The 'aesthetic value' should never die in drama. A large building can be shown in the film. But the drama lacks budget. That sounds magical. That is why the chorus in the play is the fragrance of gold. Sometimes the chorus can be a mountain, sometimes it can be a river. The dynamic that can be brought physically should be lively in the play. It is gradually decreasing now.
I feel that the drama is more fantasy than reality, the audience is diving into the sea of fantasy. When speaking, people become different at once and that moment is a 'wow moment' for everyone. The 'wow' factor should not be lost from the play. The way we are seen on screen or displayed on social media these days seems very simple. One might think that after going to Mandla and taking three months of classes, they will reach here. As for me, I started struggling at the age of 17. Don't forget that. Achieving success in any field requires hunger. And, to quench that hunger, consciousness is needed. Speed and hustle are also needed.
When the dream comes true, the real game begins. That requires patience. It takes persistence to make the best of the opportunities you get. It repeats like a bicycle wheel. If you stop after reaching a point, the artist loses his dimension. Excellence must be sustained. Once you get to one place, it's hard to stay. It's easy not to reach, it's easy to stay after not reaching.
play is learning. Vijay dai and I worked as lead chorus for many years. While working as a chorus at that time, I used to remember all the lead actor's dialogues. Everyone knew the timing. We used to look at the costumes. We used to get ready to make a set. We prepared the set by working with wood. I see that learning is now lost. I see very little patience.
I got into art in such a way that my hunger became the same, the food also became the same. This has been my Karma and Dharma. I want to live in art. I belong to it. The industry is small but the scope for practice is huge. At first the situation was difficult. Now you can do whatever you want in cinema and theater. Doing that brings a nice home run salary. That's how our life has to go. He had to live to keep the character alive. The prospect of saving it is tempting.
