How many friends I meet who tell me that they only got to know about theater when they were much older. When I hear that, I feel that I have found out in time. And the credit goes to my school.

Eight or nine, I forget exactly how many grades I was studying in . But, from my school, Kakadvitta Secondary School, he used to take us to see plays. Parivartan Theater used to stage dramas on various themes and social issues. It used to be a court drama, in which the audience also needed full participation . The audience also became a character and got involved in the play . When I sat in front of the audience and watched the courtroom, it seemed strange at first when I saw that the audience on the side became a part of the drama . It was also fun. And later, he started to join the drama too. 

I used to go to see the drama like that. There was a desire, but the courage had not come. However, even as the drama is being accepted as a wish, a sign has been attached to it. Then, it felt like a blow to me . I still remember that time, in the month of Pusha, 2070, Parivartan Theatre, Jhapa opened a workshop for students on court drama . I didn't want to miss this opportunity and got to participate. The workshop is over . My desire to join the drama was not fulfilled yet. So, I stick to the theater of change as Liso sticks. I joined the theater and started working. 

After the workshop was over, our play was staged in the courtyard of the Hanuman temple in front of the Kakkadvitta customs gate . We adopted the style of calling the audience by dancing. Few viewers have gathered. However, it did not give energy. The number of viewers did not seem to be enough . Buspark area, people who are walking for shopping across the border don't have much leisure . At that time there was a lack of audience. After that, after free consultation with the director, I go to the customs gate . From there, the theater was at a distance of 200-300 meters. After reaching Geitner, I screamed and ran to the place of the play. The attention of people walking in the market was drawn to us. And the play started . 

Spending a huge budget, a place where people from all districts are gathered, when trying to show a play in Kathmandu, sometimes you have to give up. Only the method of making a blank claim is slightly different.

Come to Kathmandu and audition for films and web series while learning acting at theater mall in Sundhara. Chosen for a leading role in a movie, shooting also took place . But for some reason, the movie was not made . However, get the feel of working behind the camera . Because of that, I got a chance to understand all the parts of the movie, the urgent need and importance of all the departments . Be more serious about your work. It is such a hard work, I thought that we should do justice to this work. That unfinished project taught us to fulfill the responsibilities given to us well so as not to burden others. 

Both theater and film attract me equally . I am working in theater and film simultaneously . However, there does not seem to be much difference between the two in the process of work . The style of telling the story is different for every director. That diversity is also within the play. That's why we are seeing diversity within the drama, so it may not feel new when we meet another style in the film. Or maybe because of the family atmosphere, the conditions for new experiences have not been created.  As a

artist, I have learned from mistakes. I remember the previous mistakes and will not repeat them again. It is also teaching me to be a professional and a person. Seeing the weaknesses of others, I also become aware of whether I have done the same. I will start to self-evaluate . Even if I don't do it, I will be careful not to make the same mistake tomorrow. However, I can't be in the same place constantly as I am always going to the theater and sometimes to the movies. Who teases me as a seasonal artist in theater . I take it easy .  I have been doing

theater plays, regular playback shows every month. In the film, sometimes as an actor, sometimes as a stylist, sometimes as an assistant director. I have played the role of assistant director in films like Sanai, Doi Nambari, Nango Village, Hattichap, Dughi Atma. I enjoy working behind the camera equally. Whether it's sitting back and looking for child actors for Nango Village or playing mother to a child actor in a witch's house . I always find myself honest and diligent towards work . I have had the opportunity to work not only with children but also with friends of my own age, older siblings and even older ones. 

We also see a lack of patience among young people . Sometimes it seems that we are more concerned about the results. It seems that we are falling behind in the practical by focusing more on the theory . However, with perseverance, patience and constant practice, I think good deeds are born even from youth. 

Another thing that is needed to produce a good work is originality . Practice being yourself. However, it is not only necessary to practice on the screen or in front of the camera, but also in your daily life. Especially we don't know how to express how we feel even in our normal life . Or we can't. And we start doing different things, we start making fakes. Without knowing . And in my opinion, to be an artist, you have to leave the fake and start being what you are. When you become an artist, don't you have to live as a different character? It may seem that . That is . But, if you were in the situation of another character, what would you do? If we go from there, I think that character can be brought to life .  Another thing a

artist must know is to 'unlearn' and 'relearn'. Sometimes we try to apply what we learned yesterday to today's situation. In every new work, harem new character, new script new dimensions have come . An artist should always keep himself open to learn new things by forgetting what he learned because some of the things learned yesterday are changing according to the time environment.