A coolie, who becomes a sandalwood smuggler in order to become his own master rather than enslave the owner, evades police checks day in and day out and smuggles truckloads of sandalwood illegally, earns a lot of money and establishes his own dominance by breaking the organized syndicate of smugglers.

Ambitious, fearless, strong and clever one person who has the ability to shake the entire state, police administration. Three years ago there was a film based on the same character - Pushpa: The Rise. Even though he belongs to socially, economically and visually backward class, he has one pride, Pushpa Jukega Nahi. 

'Pushpa', a song in praise of the illegal journey from his Kulli to Raktakhandan smuggler Nike, centered on an underworld man, created a sensation in the theatres. Allu Arjun's performance as Pushpa in the central role of the film won the National Award that year.

The second installment of the same film 'Pushpa-2: The Rule' is currently on display. While the previous version focused on Pushpa's rise, this time around Pushpa's smuggler empire expansion.

There is a scene in the film, Pushpa's wife Srivalli (Rashmika Mandana) is asked about her caste while going to a temple to worship. Pushparaj, who feels pain for not getting the identity of his family or clan, later insists that Pushpa does not need his father or his clan to identify him, but that Pushpa has become a 'brand' in herself and this is the identity. However, this time he walks around wearing his own 'brand' of clothes with flowers.

Pushpa from the previous time 'Flower Nahi Fire' has appeared as 'Wild Fire' this time. As much as the director Sukumar has worked hard to make Pushpa look fierce in the scene, in comparison, the same writer Sukumar seems a bit weak in the story.

Some comedy, some character twists, heavy dialogues, big canvas and song, music, trying to deceive the audience. Pushpa 2 will be fun for Allu fans and fans of South Indian films.

In Pushpa, as much as the ups and downs of a poor character's efforts to earn wealth were seen, this time the same character, after earning huge wealth, has poured money and bribes to expand his empire. His struggle narrows only around SSP Bhanwar Singh Shekhawat (Fahd Faasil). While Pushpa has reached the capacity of changing the Chief Minister just by refusing to take a photo. Bhanwarsingh's ego seems bigger than Pushpa's struggle.

3 hours and 20 minutes long, the plot of the first half of the film is balanced, but the second half has become slow and slow. There is also the risk of leaving the audience confused when the film deviates from the central conflict and drifts towards the family conflict.

Although Pushpa was shown to be violent before Khalpatra, an attempt has been made to balance it by showing her sociality and masculinity in the eyes of her family and wife. But Rashmika's time space in the film is less and her character is weak. Except for adding energy to Gale's husband in one place, she has not become a particularly weighty character. The main weakness of a

film is its pace. The film strays away from the main story and strays into unnecessary subplots. The cat and mouse game with Shekawat, the bitter relationship with the step brother's family, the politics within the sandalwood smuggler's syndicate and the change of power of the Chief Minister, the kidnapping of the niece are interspersed with subplots. For some, the comedy romance between husband and wife can also add strength.

Pushpa is a character driven film. As much as the director has worked hard on the character arc of Pushpa, her swag, dialogues and physical gestures and style, the story screenplay doesn't seem to have done that level of effort. Allu has also left no stone unturned in portraying Pushpa's character.

Also, maybe because the same character has earned him the National Award, Allu's attachment to Pushpa's character has become alive. Some critics have even commented that his performance deserves the National Award again and to a large extent it is justified. To break the story, Allu did not criticize when he received the award during Pushpa, some critics insist that a masala film like Pushpa should not be entitled to the National Award. However, Allu has shown himself to be Pushpa from the physical flexibility, dress, mannerisms, swag to the appearance of an honest husband. Similarly, as much as she has been seen, Rashmika has not spared any effort.  Fahadh Faasil, who has emerged strong in the role of

Khalpatra, has presented himself 100 percent in the image of a lecherous and egotistical rather than being fierce and scary. This character can also hurt the fans he earned from his earlier films. If this happens, Fahad's further success as an artist can be considered. 

Like the first edition of 'Pushpa', this time the songs and music did not get general success, but the choreography has been made artistic with great effort. The choreography of Allu disguised as Kali as a woman is superb. Allu's appearance can be a surprise for the audience. 

South India's big-budget films are being transformed into modern-day money-printing machines. Be it 'Baahubali' or 'KGF' or 'Pushpa' series, everyone is breaking commercial records one after the other.

Audiences are showing more interest and interest in the style than the story of these films. 'Pushpa-2', made at a cost of around 500 crores, has already done more than double its business at the box office. It is claimed that 'Pushpa-2' has earned 1400 crores worldwide in 12 days of its release and has become the third highest grossing Indian film.