The time lived by Kamale of 'Poorna Bahadur Ko Sarangi', suffered from discrimination, lack and poverty was the same for Prakash. His father also taught Prakash through suffering. He considers the struggle of Purna Bahadur, the main character of the film, and his father 'Bal Bahadur' to be the same.
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Yak Prakash Saput and dispute sound like synonyms. Why? The songs that Prakash brings to the market are bound in some kind of controversy. Whether it is the character shown in the song or the issue raised, it is not beyond the arena of debate. Be it 'Peer' or 'Sakambari'.
Every song of his from 'Galbandi' to 'Kura Bojneho' to 'Damai Maharaja' has been criticized. Also, with the positive response of 'Bolmaya', 'Badla Barilai', he also reached the top of the discussion.
His songs continue to create debates and discussions. Perhaps, it is Prakash's destiny to keep coming into the limelight because of the song itself. Prakash feels that his 'planet' has been destroyed when every creation is dragged into controversy. Every creation is successful. But I have never been able to celebrate any success,' he said with a sour face. Not only the
song, but also the recent film 'Poorna Bahadur Ko Sarangi' in which Prakash has been involved in controversy. The film is doing aggressive business at the domestic and overseas box office and is setting a new record for the highest grosser. If the viewership of this film is still the same in the hall, there is no shortage of people crying after watching the film. However, the audience has not stopped abusing Prakash, who has become an important actor in the film.
'When the film was doing crores of crores of business, I was saddened by the criticism of some people. Every creation of mine is successful, every commercial success is good. I have got the same love from most of the audience. But I have not been able to celebrate the success of these creations from my heart,' Prakash said, 'I have not made bad intentions so far, that's why I am moving on.'
Let's see the controversy of 'Poorna Bahadur's sarangi'. The talk of Prakash not giving time for the promotion of this film was very popular in the initial days of the film's run. Prakash kept listening to insults on the same reason, there was a flood of insults in the comments. However, he describes the controversy as the fault of the producers. In particular, before joining this film, Prakash and the production team had decided to perform 'Poorna Bahadur Ko Sarangi' only after Baisakh. If the
had been screened at the same time, Prakash could have spent a lot of time promoting the film. However, the production team decided to showcase the product before the contract as it was already ready. Saying that he could not give time, Prakash agreed to the performance decision of the 'Poorna Bahadur ko Sarangi' team.
The film came out, while the film was running, the producer complained that Prakash himself did not pick up the phone. This is more of a complaint than a dispute. There is no complaint from the director or the artist. Only producers have complained. Yes, the film is a producer's product. This product has to be delivered to the market. For that, the artist also had to walk in the promotion," says Prakash, "Maybe I didn't get to play that role in the promotion. As I am busy with my own film, I could not spare time for this film even if I wanted to, it is the fault of the producers, it is not my fault.'
From this film, Prakash not only heard abuse, but also collected praises. Because of Baba Purna Bahadur's dream-living character (Kamale), many viewers responded positively to him. Some shed tears while hugging Prakash. Prakash considers himself very close to Kamale's character. The time the character lived, the discrimination he experienced and the lack and poverty he experienced was the same for Prakash.
The story and the background are also similar to him. His father also taught Prakash through suffering. He tells the light that his parents made him capable. He tells that the struggle of Purna Bahadur, the main character of the film, and his father 'Bal Bahadur' are the same.
Why did this film run so much? Prakash feels that the film has received a lot of love from the audience because it carries the common feelings of a father. The audience could relate to the struggle of parents for their children. This film keeps the audience tied. It has conflict, it has love. There is friendship, there is sadness, there are tears,” Prakash said in reply, “Those who have children saw themselves in Purna Bahadur, the children probably saw the pain of their parents in it.” There were comments that despite showing caste discrimination, discrimination could not be revolted. However, Prakash does not seem to agree with this. He argues that the
film shows the suffering of Dalits correctly. "As we have lived and eaten food for generations, we have been shown in the same way that the society has placed us," adds Prakash, "The film may not have shown the change in terms of caste." However, it is a matter of what parents do for their children. I don't think this film has shown the Dalit community in a wrong way.'
In Nepali films, Dalit characters are shown as poor and funny characters, but Prakash believes that the teleserial 'Dalan' has proved it strongly. He is against the idea that one should be a Dalit to tell the story of Dalits. He feels that the creator has the right to tell the story of any community. His argument is that it is not necessary to be a woman to tell a woman's story, the intention should be clear.
Prakash prefers to tell stories through songs, likes to raise issues. However, while raising these stories/issues, he approaches the subject matter in a matter-of-fact manner. He tries to point out the issues in the society. However, if they are not sensitive to their creations, they slip.
in 'Sakambari', 'Peer', 'Kura Buznadho' showed the female character from a misogynistic point of view. That's why controversy never stopped following him. Sometimes, when the creator only looks at a subject from his own point of view, we have not been able to look at it from a different perspective. Each of my creations is questioned. They say that they come into controversy for the sake of discussion, I have a different opinion on that," argues Prakash, "As I saw, I showed the same characters. I am not a danger rebel, but I have questioned through my creations that this is happening, this should not be happening.'
He claims that he does not want to make women guilty or weak, and says that he is changing the style of telling his stories.
When he reaches the witch's house, he seems to have improved in 'Bujhin Maine'. Prakash, who likes to tell stories, is creating 'Vasant' with the idea of telling stories by immersing himself in the depth of the subject matter. At the same time, he is finding time to become the 'hero' of films. Ever since Rajesh Hamal, Nikhil Upreti started appearing in the village along with television, Prakash has been haunted by the specter of becoming a hero.
