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Let's think about the situation when living on rent- Kichkiche became a housewife? Are there strict rules? Personal freedom is gradually disappearing there. The walls have to be partially covered. Where was that house, like a house?
Now let's think of home, what comes to your mind? A place that gives a feeling of warmth, a family bursting with laughter and happiness. A peaceful world beyond adoption and unnecessary discipline. The movie 'Ke Ghar Ke Dera: Ghar No. 2', presented by
director and writer Buddhisagar, plunges us into the conflict between these two contradictory feelings. Where not only the country, but also the inner world of people is changing . Rebuilding, reconnecting, and seeking to redefine the lack of belonging.
'Raunak Niwas' movie's main plot . Common roof of Gharbeti and Derawal . Although the hearts of those who live are under the same roof, the directions and perspectives are different . There is a generational clash here . There is a conflict between dreams and reality. And the pain of the past and the uncertainty of the future.
arrives at that house, Rajaram i.e. multi-talented actor Khagendra Lamichhane . He is not a hero, nor a savior . But he easily listens to everyone, understands and easily shines light in the lives of others . He is not the man of that house . But silence is the medicine of broken relationships whose presence leaves a cracked house spotless .
'Raunak' meaning bright house is actually one such Was waiting for a character who could bring the light from within . The film shows that it is not easy to make a house a house in a very easy but strong way. Bank loans, daily conflicts, neglect of elderly parents, and silent sufferings are the elements that make a house not a home . When we lose our identity . We live in rent, but we are internally exiled.
Aryan Sigdel, a chocolate actor who became synonymous with 'premi Patra' in the Nepali cinema world. In this movie, he has fully matured as Raunak . The responsibility hidden in a loving smile, the desire to live in the midst of scarcity, and the heavy burden of responsibility, all these dimensions have been wonderfully presented by him in his acting .
With this movie, Aryan has signaled the beginning of his second phase in Nepali cinema . It seems that he is establishing himself as a character who is deeper, more introspective and connects with the audience emotionally.
Buddhisagar's story and dialogues are animated by the actors, and the philosophical depth felt in moments, all make this movie feel its own . "Feeling more than a movie" . The film does not attempt to give a definitive answer. Instead, it raises the question, 'Is your home really a home?' because perhaps, we are all searching for our own 'joyous abode'.
