This is not the story of the air-winged horse. This is the story of the air buffalo. Even if they go to defecate when they are young, after they grow up, they are able to defecate on their own even after cutting the yard, fields and hills. At that time, Baama says - now his feathers have grown! There is also a buffalo in this story, whose feathers have grown. He was not only cut off the hill. He has to cross the sea too, but with the wind. Yes, so this is the story of an Air-Buffalo.

This is the name of the child. Its father's name is come on! Yes, both of them call each other as come . Even when he calls others, he calls ``Ai Nai Nai''.  The audience prepares itself from the very beginning to be entertained by the play . Let's say, their mentality takes a shape - everything that is said and done here is hansimjak, careless.

So, on the surface, does it have a story? It would also seem to be . However, the story of this play is not found in dialogues. Instead, they meet in the middle of dialogue. If the dialogue or scene is the coating or the skin of the story, it is inside the coating and the skin. The story of the air-winged buffalo. The audience has to descend from the surface to the depth to hear the story. While talking about jokes and cares, suddenly things went deep ? But, this is not what I plan to write . Believe me, the effect of empty drama is seen as such .

There is a girl who will go abroad. The document is all . However, there is nothing wrong - fingerprints! Because, I don't have a finger. Now if you understand this as my own story, the thing is simple - no finger, no fingerprint. However, if you consider the world of the English 'my', that is, your own human world, then you can understand the absence of fingerprints as the absence of the conch wheel of fate. Don't you believe in fate? Well, then you are also free to consider it as not a privilege or a reserved facility .

But leave it, you don't get the facility to think so much at first . At least you won't have time to think so deeply for the duration of the play. Try to think in 'Bich Bichch', but sometimes Durgesh Thapa and sometimes Eminem will hijack your brain and leave you to enjoy the world. However, in the play, not only the son comes, but the father also comes. If you are a fan of Rajesh Hamal, you will be happy with Babu Ai .

Aren't you wondering why mom didn't come? Well, I decided not to reveal it. Instead, even if it's a spoiler, it might be a character that comes late and leaves early - you can do ``hereke hereai'' to the daughter-in-law. Even this daughter-in-law character, who appears for a short time, gives you a window into your own world, questions - Why do people get married? Why are divorces happening? Do you do everything in life, always and all for yourself ? Aren't you superficially making decisions that carry deep rewards? Like this play!

Let me tell you ? This drama released in Kausi theater is actually doing 'play'. The matter is actually serious, but it looks like it's all just fun.
drama is so different that, sometimes the character stands on the stage and sometimes the artist himself  It is as if the play is being staged while rehearsing.

In other words, the meat is cooking in the kitchen, but while it is cooking, someone is tasting, eating and swallowing. But don't worry, the meat is not raw, it is digesting easily. This is probably not a new story telling but certainly a rare play. It seems, the author knows the demands of today's market . Audience appetite . However, if you're looking for something new, both hot on the heels of content and storytelling, this might just be the one for you! But not only is the thick, leathery sitan accompanied by a refreshing drink. And to be honest, sometimes the glass definitely feels empty. However, as soon as the Kalpa Vriksha is fulfilled, the waiter named Writer fills another peg of humor in the drama's cup as soon as it feels like the blessing of the Kalpa Vriksha.