There is a magical element in the film. It is impossible not to believe every character, event and environment shown in the scene! The world inside the screen is shown so faithfully that you get lost in the world inside it. The world of the characters starts to seem real, their sorrow starts to hurt the heart.

We begin to meet ourselves in their struggle . The art of reciting the story establishes the world in the film in such a way that even if it seems false at first glance, we never know when we think the characters and events are true. However, 'Karma', which has been on display since last Friday, has failed to faithfully present the same world inside the screen.  Sourav Chaudhary, who made his directorial debut with 'Agatsya' earlier, has matured in 'Karma' as a

. He seems clear in what he wants to show through the film. He has shown the story of how a corrupt structure continues to hurt a common man through the action genre. The story of the film is trying to be played. The use of 'jump cut' in

editing has been an attempt to bind the audience to the film to some extent. The unnecessary scenes in the film are not stretched too much . Regarding the action, Saurabh has started to make slow motion scenes his 'signature'. However, following the same signature in all the scenes seems a little strange.

Eye-popping VFX, a masterpiece in the craft of storytelling, 'Karma' is just a new experiment in action films. There has been an effort to strengthen the story of 'Karma' with sound, filming, and editing techniques, but the film could not be successful because the director failed in the narration of the story.

After all, the film is not only technical, it has a story, the characters have feelings . Those emotions connect the audience with the characters. When trying to establish most of the stories in a hurry, the emotions of the characters cannot be communicated to the audience . Therefore, not being able to take the audience on a journey as much as the story of the film could have touched is the major weakness of 'Karma'.

is the story of the film Karma (Vipin Karki). Karma will serve the country like a father. The constable father wanted to make Karma an inspector. Pursuing the same goal of his father, Karma starts his journey to become an inspector. But, at the same time, Karma's dream is shattered due to the corrupt policeman Vijay (Divine Dev).

Therefore, the story of Karma revolves around Karma's revenge against Vijay for his unfulfilled dreams and his own justice and his service to the country without police uniform. How much trouble and suffering does an average person have to endure all the time from those with power and resources? The story that 'Karma' tries to show is simple . 

However, director Choudhary has made a lot of weaknesses in reading the story. For example, the audience does not get to experience Vipin's struggle to become an inspector. Not being able to closely experience his struggle and the suffering done to achieve his goal, even the revenge he takes will not be very big. Something in the film is not set up correctly. Like

, friendship between Karma and friend Anil is not established . We know from one scene and narration, Karma and Anil are good friends . However, since Anil is not seen in the scene for a long time, that relationship is not established. Jokes and funny moments in the relationship between Anil and Karma do not contribute much to the reading of the story as they are dropped only when they are needed in the story.

The story of friendship and love, which is advanced in a parallel manner in multi-part, would make the reading of the story of Karma fast. The love affair with Geetanjali (Upasana Thakuri) is also not established very well . Karma and Gitanjali try to show love but their love doesn't budge very well . That's why when Gitanjali is broken for Karma in the film, the heart of the audience doesn't hurt .

In this film, as Vijay's character is shown to be corrupt from the beginning, that character is also shown to be suddenly changed in the middle. In one dialogue, when the character is shown to have given up the path of corruption, the world inside 'Karma' starts to seem impenetrable. 

In most of the scenes, ``narration'' is used to tell the story, this choice of the director is correct . However, in most places, when trying to tell all the stories through narration, the story becomes thin . Exaggerated dialogues are used in the film. At a glance, Karma is portrayed as a simple character, but when the character starts speaking, he speaks literary dialogues with heavy weight.

For example in one scene Gitanjali looks at Karma and says, - There is nothing wrong with you…. Such feelings experienced by Gitanjali could only be told through visuals. Easily predictable 'plot', 'suspense' and some background sounds reminiscent of Bollywood films have made the story of 'Karma' loose.