Sarai Dance is believed to have started from Argha Palace. Here, on the full moon day on Tuesday, a grand Sarai Jatra was held to bid farewell to Dasain.
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Many people think that after receiving the tika from the hand of a respected person, almost ten days are over. However, Dashain is celebrated in a slightly different style in eight districts including hills and terai of Lumbini region. Tika is administered only one day in Dashami. Then from Ekadashi to Kojagrata Purnima, there is a special splendor. Sarai dance is performed in Durga Bhagwati and Kalika temples with armed weapons.
Prakash Belwase of Arghakhanchi Khilji village, who is a businessman in Kathmandu, after taking Tika at his home, everyone went to Bhagwati temple and danced sarai dance to say goodbye to Dasain. "Sarai dance is our important culture," he said. It is a separate fun culture, we should preserve the Sarai and make it more magnificent. In recent years, young people who have studied have started to appear more in Sarai dance. He has also done more promotion by putting live and video on Sarai Naach's social media.
On the full moon day on Tuesday, Dasain was bid farewell by doing grand Sarai Jatra. From Ekadashi to Purnima, Sarai dances are usually performed at Durga Bhagwati and Kalika temples in villages. Argha and Khanchi Durbar, Malarani, Rangamare, Bhandarthum, Wamruk, Thada, Maidan and other places are considered important.
Aalam is taken out from the temple with the idol of Durga Bhagwati and Sarai dance is started . Where there is a crowd of hundreds of people . Devotees who come to the temple for darshan and dance have a custom of bathing and wearing new clothes. They take out household weapons such as spears, sticks, swords, and shields kept in the temple and dance. With a red tika on the forehead, jamara, dhaja tied around the neck, holding a handkerchief in one hand and a weapon in the other hand, saying 'Bakhkhai ho, Bakhkhai ho', the Sarai dance is done.
is not wanted like this, instruments and sanai are played . There are also innkeepers from time to time. Thus Sachin Bohora of Shitganga Municipality-2 said that it is a tradition to say goodbye to Dasain by dancing Sarai from Ekadashi to Kojagrat Poornima in Kotghar. "
is more fun than during Dasain Tika, there is more fun in Sarai dance, meeting with friends, friends," he said. Along with the cultural fun, the local products and business stalls in the fair also have economic transactions.
There are usually many stalls selling sweets, sweets, and food dishes. Former Ward President Pritam Thapa said that it is believed that one can display his adventurous art without using weapons including swords and sticks while dancing Sarai. "Young people are happy when they don't carry many weapons," he said, "Alams of a little old age carry flowers in their tops". Earlier, only men used to dance, but now women also started dancing with weapons, and it has become more interesting and fun.
After the ten-year conflict in the country, Sarai dance faded away, and its importance is increasing after the peace process, he said. Thapa said that most of the people who came home during the last Sayam Dasain returned to Karmathala without dancing. He said that this is not only a fun fair but also a cultural tourism area. He also said that a lot of people will visit the Sarai dancing in the temple on social media including YouTube and Facebook.
According to history, Sarai dance started from Argha Darbar.
In the medieval times, in the then Argha kingdom of the present Arghakhanchi district, Raja Zilla Rai, the vice-president of the Argha kingdom, started dancing in Sarai on the Kojagrat Purnima day of Vijaya Dashami as a way of celebrating his conquest of the Arghara kingdom. He said that Sarai dance, which has been popularized from Takura in Argha, has spread elsewhere.
vs. In 1381, Zilla Rai Raja came from Delhi, India with an army and settled in Argha. Along with him, he brought Gandharva who sings songs, Purohita who performs prayers, Pariyar who sews clothes, Vishwakarma who makes weapons and an army with weapons . Gurung was the king of Argham at that time. After fighting with him, he captured 17 mouzas . He said that there is a history of taking out an inn as a victory festival on the full moon day of Badadasain.
After the victory of Satya in the battle with the demons, the priests of Satya started dancing sarai in Kot and Durga Bhagwati and Kalika temples as a victory festival. It is religiously believed that dancing like this pleases the goddess. After Sarai dance started at Durga Bhagwati Temple in Argha Durbar complex, it reached the neighboring districts of Gulmi, Pyuthan, Palpa via Khanchi Durbar and Malarani Temple. Those who migrated from the mountains to the Tarai have established a temple there and danced Sarai dance.
Dhurkot Rajasthal, Arje, Chandrakot, Paudi Amarikot, Naya Village, Pipaldhara, Bhujung, Bijjikot, Okharkot, Bhinikot, Vijuwarma in Pyuthan and other places have Sarai dance. Similarly, Sarai dance is performed in Mathagadi, Rainadevi, Kushumkhola, Sambhadevi Muzungkot and other Kotghars of Palpa.
People who have migrated from hilly districts to Terai also dance Sarai in Rupandehi, Dang, Kapilvastu and Nawalparasi.
